While African Americans did the brunt of heavy lifting when it came to soul music in Houston, it’s a common misconception that they were alone in their musical direction at the time. Houston had its share of multicultural groups in the sixties and seventies that played along the same lines like Soul Bros INC and Masters of Soul. But, it was largely the Chicano groups that found inspiration and then their own interpretation with the genre.
I’ve asked compatriot, I’m Shakin Blog Man and Bayou City Soul Assistant Extraordinaire, Alex LaRotta to contribute a moment of his time to expound on the subject. LaRotta sent me three MP3s for your downloading pleasure and the following story that explains what happened when Chicanos put down the Accordion and started listening to James Brown records. -BK
Tejano Got Soul
As La Onda Chicana (The Chicano Wave) musical movement spread wide in America’s southwest in the mid ’60s, Texas was a breeding ground for a young generation of Chicanos making soul music their own groovy thing. Adding R&B beat and rock instrumentation into their musical repertoire, Tex-Mex soul/rock music legends like Sam the Sham and The Pharaohs, ? and the Mysterians (though from Michigan, recorded/produced in San Antonio with a distinct Tex-Mex sensibility), Doug Sahm and Sir Douglas Quintet, and El Bebop Kid (known popularly as chicano country star Freddie Fender) rose to pop prominence and inspired leagues of young Latinos to cut their own American-styled rock and soul records. In a matter of speaking–move over bajo sexto and accordion, I’ll take my guitar with an electric pickup.