Throughout the 1960s and 1970s, only a few men held enough water to influence the sounds of soul music on a commercial scale in Houston. The men that could put your record in the Billboard charts or put your musical career in the ground, the gate keepers so to speak of the Bayou City.
There was Don Robey, owner of the illustrious Duke-Peacock-Backbeat family of labels. He recorded everyone from Bobby Bland and Junior Parker to OV Wright and Carl Carlton. He built a small empire from his office over on 2809 Erastus Street (The building which still stands today as the Charity Baptist Church) including the legendary nightclub the Bronze Peacock.
Skipper Lee Frazier split his time as a radio DJ on KCOH 1430AM (he still broadcasts today on KWWJ 1360AM) and as owner of his Ovide Records imprint. The 1968 release of Archie Bell and the Drells “Tighten Up” firmly cemented Lee’s stature amongst the heavyweights of Texas record label men. But even if it didn’t, having other acts like the TSU Toronadoes and Masters of Soul on his roster certainly did.
But neither Robey nor Lee had the influence on the scale that Huey Meaux had.